
There is a twilight
Where dreams end
And realities begin.
To some, it is dawn,
Wake-up time;
Dusk it is, to others.
To those who slept through
Dawn,
Dusk
Is the time
To light candles
In Wake.
************** Balachandran, Strike Day II, 25-09.2008

There is a twilight
Where dreams end
And realities begin.
To some, it is dawn,
Wake-up time;
Dusk it is, to others.
To those who slept through
Dawn,
Dusk
Is the time
To light candles
In Wake.
************** Balachandran, Strike Day II, 25-09.2008

My bathroom is a secure place
With a little window to the world.
A two-way window, to look out
And to look within.
Water runs, chuckling,
Washing away dirt; sins too.
The resident spider sprints
With a cockroach in its mouth.
A gecko peers, scrambling
As I sprinkle a little water at him.
A stage
To enact my fantasies
To practice a speech
To sing a song
To talk to my love
Or imagine making love.
Outside, a spider squats in its web
A cocoon hangs from a leaf
A Koel sings, a Kingfisher shrugs
A crow cleans its beak
And a squirrel hops up the tree.
Farther, the world waits –
Sharpening its claws
Cracking its knuckles
Gnashing its teeth –
The world waits for me.
I hide in my bathroom
Comforted by its damp coziness
Peering out at the world
Bracing to be eaten alive.
A buffer zone, a barrier
Between banalities and bitter realities
The bathroom determines
What I am, what I like to be;
And what I do not want to be.
"It was all nothing, and a man was nothing, too...Some lived in it and never felt it but he knew it was nada y pues nada y pues nada. Our nada who art in nada nada be thy name thy kingdom nada thy will be nada in nada as it is in nada. Give us this nada our daily nada and nada us our nada as we nada our nadas and nada us not into nada but deliver us from nada; pues nada. Hail nothing full of nothing, nothing is with thee..."
If this silence lengthens
To weeks, months – why, even years
You might not learn it when I die.
If we are never to meet again,
You will never see the lines
That ravage my face.
If we are never to talk again
You will never know
That you were there
Always in my thoughts.
You shrug, says ‘so what?’
‘What if you died –
Everyone does, don’t they?
What if you got old –
Everyone does, don’t they?
What if
I don’t care whether you think of me or not?’
Nothing matters, really.
Or doesn't it?
Does ‘nothing’ – that is, having nothing, matter?
Or is it that ‘nothing’ – no thing, matter?
I say, what really matters is – nothing, the vacuum.
All that matters to you is you
And all that doesn’t relate to you, doesn’t.
Take you out of you,
Nothing remains
The way I now take me out of I …
Which is to say, the world ceases to exist when you do.
It reaffirms my belief that everything is actually
Nada, nada, nada, nada.
**************** Balachandran V, 25.08.2008
Its spine broken and torn
Leaves left devoured by silverfish,
Corners crumbling with age -
My hands tremble as I open the book.
Carefully, tenderly, I turn the frontispiece -
Shabby, tattered yet holding up together
With a dignity that only books can have -
I shake out the dust and faecal matter.
The book is still silent, slightly embarrassed
But not showing any -
Like my mother, paralysed
As I clean her with wet cotton blobs.
In the left corner of the first page
The book said -
‘With all good wishes to my son’
Signed, my father, forty years ago.
I run my fingers over the lines
Lift up the book to smell it deep
Rest my palm where he would have -
I am in touch with my father.
For my child, what do I leave
Would he care
Would he gratify me -
With immortality?
Would he
Standing alone in the mountains high
Would he
When snowflakes fall, kissing his face?
Would he
When winds roar past his face
Would he
When the hills fall silent?
*********** Balachandran,

There is kindness in the air today.
Sunlight bright, yet soft;
Wind strong, yet breezy;
Earth alive, yet sleepy.
There is grace in the air today.
In the shade and light
Trees sparkle and dance
Crows muse, sitting on the posts.
There is music in the air today.
The chorus of the leaves
As the wind blows through them
In rhythmic waves of love.
Through the window, across the trees
Over the high rise, the sky is blue
In unseen strings suspended,
Kites hover; swift fly past Swifts.
On the cool floor of the room,
The dogs are asleep deep
In full trust, faith and love.
I move gently; I stroke their heads.
There is gentleness in the evening today
Awaiting twilight to come
Knowing darkness would follow soon
Knowing, accepting, calmly, the end.
*************
Balachandran, 1530 hrs, 03-08-2008,

Cut it right below at the stem
Where it bursts out of the soil
Seeking light and rain and air
The soil softened with the fallen yellowed leaves.
In the grove,
Warblers might be twittering
Pheasants would be muttering
Doves would be cooing
Lizards would be basking
In the sun.
The lone old cobra would be huddling,
Its last skin too, shed.
Above, the green slender long leaves
Would be chattering in the breeze
The poles, a-yellowed, a- green
Would be listening and smiling.
Cut it – in one swing
Let it not split
Do not – listen to the muted groans
The pain of parting.
Lay them side by side
Like soldiers fallen at the cavalry charge.
Forget the snake
Forget the Warbler
Forget the breeze
Forget the creaking song
The bamboo had sang together
Swaying in the gentle wind-
Ra Ra Ra Ra Ra Ra
Ra Ra Ra Ra Ra Ra
Ra Ra Ra Ra Ra Ra .
When the murmur finally stops
Walk away – but -
Do not turn and look around
Lest your eyes fall on
The severed hearts of the Bamboo - Or
Your heart you left behind, bleeding.
***************** Balachandran,30.07.2008

The traveler reflects on the farewells given to men who travel, a little like the farewell one gives to those one will never see again. The ‘Goodbye, and good luck’, that the country girl or the tavern woman or the mule driver gives, is farewell forever, a lifelong farewell, a farewell laden with unrecognized sorrow. Their souls and all their five senses go into that ‘Goodbye and good luck’.
- Camilo Jose’ Cela : Journey into Alcarria.
There is an aquarium in the non-vegetarian refreshment room at the Kottayam Railway Station. 3 ft by 1 ft, it is a small fish tank. A solitary fish about 11/2 ft in length swims in it. Slim, silvery, with a lopsided mouth above which a pair of horn-like appendage flicker, it moves from right to left in two strokes. Twisting, it turns- then left to right, two strokes– on and on and on… Perhaps in the vast sea with whales and sharks and other huge fish, it might be so insignificant- yet, you wish this fish were in the deep and vast ocean, swimming as its graceful tail swishes, looking hither and thither, moving in freedom…
Alone, beside the
In one’s past travels and those in future, there are three factors one cherishes most. Movement, freedom and solitude. In moving, one exults in the sense of freedom; and freedom in its purest form is felt only in solitude. The mind can be let loose and brought to stillness. Whether in a crowded bar or alone on a snowy peak, one feels absolutely in control, fine-tuned.
Movement is about freedom in solitude. Raise your left leg; there is nobody to question you why. Instead of the left, change at the last moment to the right leg; ditto. Freedom is to be free to choose one’s life. It may not last forever, but what is forever? You are like a blind ant balancing on a stretched thin thread; no turning back. The child holding the thread can anytime break it, throw it away or shoot you phut! with his forefinger. But, at the moment you raise your left or right foot, you are there, with the memories of the way you came and the dreams of the way you will go.
For the traveler, a particular journey begins in dreams. Pouring over the newspaper cuttings or photographs of earlier travels to
Kailas and Manasarovar lies far away in
One can visit
One can choose the way one wants to go to
Journeys, though of your own choice, need not turn out to be exactly as you wish. Your ship may heave anchor in a calm sea, but how can you prevent the storms? One is disturbed – the pujas, mantras and the saffron-clad people – the string of Rudraksha, the saffron head band and book of Shiva purana offered to you – the incessant bhajans played inside the bus from Delhi to Dharchula near Nepal – people are confining themselves, covering themselves in a shroud. One yearns to shout to them – look, look! Look at the passing landscape, the passers-by, the mountain ranges, the lakes, the rivers! The drone of an electronic instrument that repeatedly plays ‘
The bus flings aside the wheat fields, tractors, trucks, roadside dhabas, and multitudes of humans, covering them in exhaust fumes and dust. As the bus slows down, I notice an old beggar squatting among the filth, gazing at the bus. Our eyes lock. Who am I to him? In the next moment, the bus surges ahead. I feel panicky. Are you telling me that there is no connection between the beggar and me? Between the pilgrims and I? Between the cigarettewallah who wishes
After three days of suffocation in the bus, I am in the open with my haversack at Tawaghat. Bang in front is the first hill to climb. Gasping breath (I wished I never smoked!), straining muscles, slipping feet – yet, beyond the hill, I know, snow-capped mountains would have gathered to welcome me. My
From the humid Dharcula, the pilgrims traverse a cross-sectional path across
A bird skips up the path. I know which. I am smug in my petty knowledge of birds. A furry dog sits in front of a house and smiles at me. I remember mine back home, and ask him, ‘Entheda, sukhamano?’ This tree has peculiar leaves. I wish Parvati were here to casually tell me its botanical name. Far away, I see a waterfall and remember how I had to pull away my little boy from the forest streams back home. I am not really alone.
Within a couple of days into the trek, the body gets adjusted quickly. There is a rhythm to the walking. Breathing is regular, despite the strain. Muscles move like well-oiled pistons. One is looking and listening all the time; all the senses are so sharp. There are several distractions- the pilgrims’ litter, the shouting and singing Gujaratis, nagging, complaining women from Mumbai, the filth and stink of the Himalayan villages – yet, gradually I cease to be irritated by all that- all I see are the mountains; all I know is that beyond the narrow, dangerous path, I will see Kailas.
Yet I am shaken at Malpa, where two years ago in 1998, Protima Bedi and nearly 300 others lost their lives. Rakesh shows me the group photo of the ill-fated pilgrims who perished – his parents were among them. I look closely at the photographs – that bearded trekker could have been me. Those girls in their twenties are very attractive. Their bodies still lay beneath the massive rocks that lie on our path. Death constantly shadows us. Beyond every curve, he lies in wait; I can see his benign smile… every step taken, every day spent, I am nearing, nearing him. I stand on a precipitous ledge and look down at
Somewhere on the steep climb to Budhi, I rest. I am struck by the absurdity of my life and my choices. ‘Fifty thousand rupees! You are nuts!’, said a colleague. Another huddled close and asked very confidentially: “Tell me, Balan, what exactly is your problem? Are you having any family troubles? Are you trying to get away from it all?” He is skeptical when I say that I am not escaping from anything, it is just one more travel to the
“Well, my dear chap,” says the liaison officer, ex-army IAS from
Every day the trek starts at around 0600. Makhan Singh, my porter walks beside me. He is from a village en route. He gamely tries to answer my incessant questions about his land and life. He shares his Ganja with me. I don’t smoke much because of the strenuous walk; anyway, I am on a different high. Most of the yatris ride ponies. Clinging to their animals, they look terrified at the chasms below the narrow ledge.
One has to be aware of oneself and the mountains all the time. As you walk up, you notice every brook, every rock and every patch of snow. You listen to the wind, the birds, the mountains and your breath. Every snowflake that falls on your shoulder or cling onto your beard is a gift of nature. These sensory perceptions grow inside you and gradually you become an element in the environment, like the Japanese painter who walks into Van Gogh’s paintings in Kurasowa’s ‘Dreams’. In such sharp awareness, you become that. They are, at the same time, within and without you. You become both the viewer and the viewed. In such moments that only the
Passing hamlets and forests, we walk along the gorge of
We pass through
In Taklakot, high on a hill, silhouetted against the sky stands the ruins of a monastery. A few decades ago, there were more than 500 Buddhist monks there. The Chinese government destroyed everything during the Cultural Revolution. One cannot imagine the anguish of the Tibetan. At home, we destroy our forests, wetlands, backwaters and sacred groves. What do I lose along with them? What is exactly my relation to all these? I remember the burnt forests near Sairandhri in
The Barkha plains are enchanting. I am among the lucky few to see a herd of Tibetan wild ass. The Plains stretch away to the horizon. Lone telegraphic poles stand like strayed travelers. En route Manasarovar, we stop at the banks of Rakshas Tal. Leave alone the myths, but one cannot help notice the absence of bird life around the Rakshas Tal. We see
Listening to the wind beating out its perennial drums on the prayer flags at Zaidi on the banks of Manasarovar overlooking the waters that touch the horizon, I ruminate over the ecstasies and the agonies I have experienced. I am so attached to life. Over my head, flocks of Barheaded Geese fly and land in the lake. Brahminy ducks feed contently nearby. Nose quivering, a gray rabbit looks at me apprehensively. Quails or partridges tumble over a mound. Far away, across the expanse of water, the snows of
The trek around
Look at the photographs of
Taklakot. Everyone is busy picking up cheap Chinese souvenirs. Our return journey begins next day.
I look at myself in the mirror. Other than the beard that have grown, the lips that have cracked and the sunburnt, peeling skin, what changes have occurred to me? I have lost a few kilos; I walk lighter. What, in the beginning of my dream journey, the years of yearning, the painstaking planning and preparation and the excitement of the yatra, what had I really wanted? I am not a devotee. I didn’t want any moksha. I didn’t want to be rid of my sins. I had suffered but I persisted through all that suffering and realized a dream. Perhaps dreams should remain as dreams. Perhaps one shouldn’t have any achievements. It is a letdown.
On the way back, down, down the hills of
In
Within our hearts we know that we are only trying to stretch the memories of a shared experience, which will soon fade away. Within our hearts we know we will never see some of the others again. Yet, like Cela1 wrote, our souls go into those goodbyes and good lucks. And we know that amidst the cacophony of our mundane life, among the debits and credits, among the anguish and strife, the images of
As Kerala Express slows down and comes to a halt at
***************
Six years and many Himalayan yatras later, I, Balachandran V, male, 49, 5’9” 85kg, type out these words sitting alone in my 8x8 room in Kottayam.
*******************
1. Jose Camilo Cela – Journey into Alcarria.
NOTE: This is the second article that I had to write about the yatra that I undertook 6 years ago (The first one will appear in a book soon to be published). I had to skip much of the details here to avoid repetition. And like the dimming photographs in the album, memories also are fading. For those genuinely interested, there are several books which are exhaustive. Below is a list of a few:
1. Himagiriviharam (Malayalam) / Wanderings in the Himalayas ( English translation) : Swami Tapovanam.
2. Kailas – Manasarovar : Swami Pranavananda
3. The Way of the White Clouds : Lama Anagarikara Govinda
4. Kailasa yatra (Malayalam): Swami Chitbhavananda
5. Himalayathinte Mukalthattil (Malayalam) :K V Surendranath.
6. Trekking in Nepal, West Tibet and Bhutan : Hugh Swift.
7. Uttarakhadiloode –Kailas Manasarovar Yatra (Malayalam)–M.K Ramachandran
8. Kailash Manasarovar- A Sacred Journey : Veena Sharma
Those who liked this may also have a look at this: http://mytravelsmylife.blogspot.com/2008/02/journeys-from-within-and-without-kailas.html
__________________________________
Looking back, I am not sure if I could talk about my last trip in the usual way. Like, I set off from point A to point B on such and such date and met so and so, saw this and that and finally got back to point A. Or start from the destination, walk back and forth and wind it up. I can’t. Because it happened in the last lap of the journey and I can’t think of anything else. You ask me how your trip was and I get confused and mumble well I was in this plane from Mumbai to
Across the aisle this forty-ish matron wore sleeveless and her shoulder was very fair and fat and rich black hair in the armpit and the swell of her breasts was rather huge. I look the look and she knows and she knows I know and then sighs deeply and opens her mouth to ask me so so huskily, are you Mr.Pillai? I am amused at the eager jump of the fish and flash my trademark grin and say - I could be.
The Hostess appears and thrusts packs of fruit juice. She bents down right across my knees and I look in vain for the cleavage but she zooms her face close to the black mop head and shouts are you all right you want orange juice? Mop-head has a soft voice – it says, No, thank you. She’s tiny, you see, fair and fragile, nice nose and lips – she goes back to her nodding. Odd, I think, Chaurasia is playing to another beat- it hits me then – Mop-head is blind.
Oh yeah, I know that look on your face. The oh-so-sob-story about the pretty peeper-less girl romantic thing, uh? Listen, but I can’t think about Frankfurt and
The music stops. Sleeveless straightens the seat and her bloated belly strains against the seat belt and her boobs saaaaaaag. The plane is moving down the runway and I look at the residences of Chattrapathi Sivaji’s3 descendants just outside the walls of the airport. Mop-head is quietly nodding. Up in the air. The sky is clear and blue and the clouds are fluffy. I slip off the belt and twist around to take a good look at Mop-head. I am a big guy, you know, and Anne is tiny and sitting all doubled up. I glance at the lady at the window and asks, ‘Ma’am, is she with you?’ Anne raises her head and says, ‘No. I am alone.’
Her eyes are pale milky green. You know that soothing shade of green, like that silk tie you used to wear. What? Yeah, maybe, the colour of phlegm on the third day of the cough. I say, ‘Hello What’s your name?’ ‘Anne.’ I say brightly, ‘Ever read The Diary of Anne Frank?’ Anne says, ‘No. You see, we don’t get many books in Braille. Who is she?’ I say- ‘Someone like you, as beautiful and tiny like you.’
I sense the familiar wrench creeping up my heart. I think of the walk up to base of Nilakanth at Badrinath, yeah it was snowing, what do you expect in mid-November? I see the wind-swept hillsides and the glacial stream and the ice clinging on the grass as I bent down to lick the water. I see Nilakanth soaring up to the sky and the glittering snow.
The Hostess stuffs up the curtain and rattles down the meal-wagon. Gives me a look, says Non-Veg and without waiting for my answer, dumps down the meal tray. Anne says, No thank you and the Hostess moves down the aisle. I bent down to Anne’s ear and tell her, ‘See, they are supposed to ask Veg or Non-Veg, you know. But this lady with one glance decides I am a Non-Veg.’ Anne giggles softly. ‘How do you look, Uncle?’ I say disparagingly, ‘Me? I am big, bald and black. I have a grey moustache and my lips are cracked and the skin is peeling off on my nose.’ Anne giggles again. Whatever happened, she asks. I have been walking in the mountains, I tell her.
Can I tell her, I wonder, about Nilakanth? About
‘Anne, were you always blind?’ She nods- ‘Born blind, I was.’ A hot iron sword is run through my heart and I whimper. ‘Do you wish you had eyesight, Anne?’ Anne’s head is erect and she looks straight ahead. Anne shakes her head, ‘No. What’s there to see in this dirty world?’
Dirty? Dirty? I frown at her. ‘How old are you, Anne?’ ‘Fourteen. But Uncle, tell me about the mountains.’
Anne. Anne. ‘When I am really up there, you know, among the mountains walking alone slowly and then leaning back on to a rock where I would rest my haversack, I would close my eyes, Anne, you don’t look at the mountains then, you close your eyes and listen. You listen to the wind, you listen to the Chough or the Thrush, you listen to the stream bubbling by, you listen to the flutter of the prayer flags, you listen to the silence and after sometime you become it. For a time, you are that. Then of course, you have to wake up. But really, Anne, you don’t have to look when you are in the mountains.’
Anne is silent. ‘My Dad also likes mountains; and my Mom too did. He is up there in
I open the food packets. The thimble-size sachets of jam, sauce, butter, pepper, I put into my bag for my kid. I ask Annie why she isn’t eating. She doesn’t say anything first. ‘Its difficult for me, you know, to open all that without spilling’. Oh, my child, my child! ‘Shall I ask the Hostess to bring you some? I will open it and give you?’ NO, No, Uncle, thanks.’
I plunge into my chicken and cheese or whatever. I am careful with the chicken, because the Lufthansa chicken on my way up to
I tell Anne about the incident and off she goes into fits of laughter. Sleeveless is obviously disgusted. The Hostess keeps a wary eye on me.
Anne is a beautiful girl. She doesn’t have that odd disfigurement around the eyes like some blind people. Anne has a north-Indian look with her pale skin and clean features. Little diamond-like studs glitter on her ears. A small gold Cross hangs on her neck.
‘Uncle, which language are you most comfortable with?’ ‘Well,’ I say, ‘ Malayalam is my mother tongue and good enough for me, but when I start talking seriously or when I want to express myself better, I unconsciously slip into English.’ Anne switches, I am surprised, to Malayalam. ‘I can talk Hindi and Punjabi as well, but I like Malayalam the best, even though my Dad is a Punjabi. My Mom is half-Malayalee that’s how I learned it so well. And I study in Kerala, you know.’ ‘ Ah, so you are going to your Mom, uh?’ Annie smiles, ‘Not really. She died an year ago.’
I tell Anne that her father must love her so much; he must be so brave to bring her up all by himself.
I tell her, ‘Anne, my wife’s name is Aditi and she is a scientist. My son is Agastya and he is 10 years old, no he doesn’t have any brothers or sisters.’ ‘I am a single child myself,’ Anne says. ‘Why didn’t you have more children?’ Agastya once asked, Acha4, why can’t I have a brother or sister? I told him we got married rather late and it is difficult to have many children late in one’s life. I don’t tell him about my decision not to have another child because that would affect our research work and future plans.
‘I am a single child myself,’ says Anne, ‘my parents too got married late. And I feel terribly lonesome. When Mom was alive, she was my best friend and I never felt lonely. In the hostel where I stay, its a Working Women’s Hostel, you see, they all are elders and say Po Kochche,
‘Listen, Annie, do you think no one else is lonely? We all are lonely. The thing is to be comfortable in your solitude, to be comfortable with yourself.’ In the mountains people ask me, Aap akele aya hai Keral se? (Have you come all alone from Kerala?). In Kerala, people ask me, Ottaykko? You went alone? In the mountain people’s eyes I see admiration and understanding; back home, I see envy and caution (the look says, you got to be careful with this chap). ‘But then, Anne, there is a little game I play. You know that there are these two guys inside you? The Good guy and the Bad guy? These guys are always talking to each other, you know. Always talking and fighting. And I listen to them and I never feel lonely.’ Anne breaks in excitedly. ‘Yes, Yes, Uncle, I know them, but Uncle, he is not a BAD guy, you know, just naughty.’ I say, ‘Right, just naughty.’
The Hostess walks by, and throws a blank look at me. She is an experienced lady. Seen a bit of the world. She notices this middle-aged man huddling close to a blind, pretty teenage girl and her look says it all; Brother, I am watching you.
‘Would you like some water to drink, Anne?’ She shakes her head. ‘It’s difficult to go to the toilet here, Uncle.’ I am numb. I try to imagine walking blindfolded to the toilet. I try to imagine being a young girl with no eyes, no one to love me, staying in a hostel far away from home (Home? Where is it?). I wonder what Anne would do when she has her periods, who will help her?
‘Uncle, I was in
I am your friend, Anne. And I will bring Aditi & Agastya to meet you, he is a great kid. Can we come and meet you, Anne? We go to the forests often, you know, and maybe we could take you with us in the weekends, will you tell your father about us, will you let us come and see you, Agastya would love to have a sister like you and Aditi could tell you a lot about plants and animals and we have a couple of dogs at home, do you like dogs, Anne, you do, please Anne, do let us come and meet you, here is my card, will you call me, Anne, will you call me?
Anne straightens her Duppatta and her hand touches my arm. ‘Men are so lucky, Uncle, you don’t have to wear all these complicated dresses. In the flight from
The plane droned on. Suddenly there are a couple of thuds and we are jerked up and down. The captain regretted the turbulence. Lots of white clouds all around.
Anne asks: ‘Uncle, when will we reach Trivandrum? I have a tuition class at 1530. Would I be able to go? Do you think I should?’ ‘What tuition? Nonsense! You go and relax. Sit with your friends and have a good time.’ ‘Shall I? Shall I? Its okay?’ Anne clasps her hands and giggles excitedly.
‘Anne, what do you think of your future? What plans do you have?’ Anne smiles shyly. ‘I want to help people, Uncle. I want to start a school for people like me.’ She pauses. Wistfully she says, ‘But then how can I help others, I am so helpless myself!’ I grope for an answer. ‘No, Anne, you can help others. You know just like you have helped me now.’ Anne turns her head at me. ‘Helped you, Uncle?’
I tell her why I went to the mountains. I tell her about my sick mother, I tell her about the fights with Aditi, I tell her how much on the brink my marriage is, how we are about to fall apart. I tell her how sad Agastya is, how easy it is for people to bring down something they built together. ‘But then, Anne, I am sitting beside you and when I listen to you I realise how trivial my problems are. You helped me, Anne, to hope and perhaps put things correctly all over again.’
We are nearing Trivandrum. Anne says, ‘Next to New Delhi, I like Trivandrum the best’. I look out and tell her about the green carpet of coconut palms and the coast and the blue sea.
The crew are at their stations and the hostesses look at me from near the door. Do they see this middle-aged boor with tear-filled eyes? Do they see this once handsome man now devastated?
I think of my trip; the fun and happy times at Berlin, the respect and recognition they gave me, the self-respect I earned. I think of the walks up to Kedarnath and Nilakanth and the pure bliss as I stood before Nilakanth. I look at Annie’s little fingers and her bowed, nodding mop-head. I weep. I am chastised. I think of the ways God takes me, I am His favourite stone in the catapult, as he sends me higher and higher…. I say- ‘Lord, when will you tire of me?’
Anne doesn’t take my card. She says she’ll remember my number. She doesn’t tell me where she studies where she lives who her people are. I can see that it is difficult for her to trust me, just a fellow-traveller. But aren’t we all just fellow-travellers? In a bus, in a train, in an office, in a house, in this world? Do we know when and where the others would get down? Do we trust more if we live together a lifetime? Do we like less if we knew only for a short while?
The plane lands and slowly comes to a halt. Its been raining here. My home. My Trivandrum.
Anne and I haven’t been talking for a while. I tell her, ‘Anne, I have every respect for your privacy. I won’t try to trace you. But if you call me, if you need me, I will come over the next instant.’ Will you, Anne, will you call me, even if you don’t need anything? Because I need you, Anne, I need to love and take care of you.
Out there, I wait. Then I see the uniformed soldier holding Anne’s hand coming out of the building and moving towards the parked Army car. ‘Excuse me’, I say. The soldier stares at me. I tell him Anne & I were in the plane together. Anne’s face is remote. I blurt out: ‘Anne, you haven’t forgotten my number, have you, you will call me, won’t you?’ I grab her hand, press it once. ‘Its been great knowing you, Anne’. She walks by me towards the car. Did she nod her head or was it just my imagination?
Could Anne sense something else? Like the fact that I was once the father of a blind baby girl which I gave away to an orphanage on the third day of birth? Like the fact that Aditi was sick and Aruvi was born eyeless because of the medicines? Like the fact that Aruvi is somewhere in the USA, happy and beautiful, a swimming champion, the sisters at the orphanage tell me? Like I had to give her away for some reasons, justifiable or not? Will she pass judgment on me, will she?
I once asked Agastya whether Anne would ever call. He looked out through the window and with all his 10-year old wisdom, pronounced: ‘No, Acha, I don’t think she will ever call.’ Okay. But she can’t stop me from hoping, can she?